2019 East Coast Music Awards- Les Hotesses D'Hilaire Live at John Brown Richmond Street Grill, Charlottetown, P.E.I. May 2, 2019
2019.5.1-2
Les
Hostesses d’Hilaire, 5.1-2.19, John Brown Richmond Street Grill, Charlottetown
P.E.I.
Fresh from
the ECMA’s but perhaps less so after their drive up to Charlottetown from
Louisiana, Les Hotesses D’Hilaire took the stage well after midnight Thursday.
The short
time slots and multiple acts in each club meant the band had no time to do a
sound check earlier. They made the most of it, easing into the 1990’s
club-cheese anthem “I Like To Move It,” with singer Serge Brideau actually
leading the crowd through “the best sound check of your life.”
With the
5-piece band with a lot of keyboard gear packed onto a tiny space in the bar,
the manic large Brideau spent much of the show jumping around the crowd. Most
of the audience seemed familiar with the band, but Les Hotesses aren’t well
known outside French Canada. That should be about to change; more people are
willing to listen to foreign (to them) music in different languages, and Les
Hotesses’ musicality and sheer theatrics entertain in any language.
The Moncton
based band led by the gigantic ex- paramedic Brideau has been together for a
few years and albums. Their latest outing is a rock opera which they’ve
performed live around Quebec and New Brunswick, which has yet to debut in
Ontario. “Vien Avec Moi” is their first album to get a vinyl release.
“Super
Chiac Baby” proposes a new language to unify future generations of Canadians.
Brideau explained, “we propose a neutral language, and that neutral language is
chiac… ladies and gentlemen, I am giving you a mission tonight. Go find a
partner and have a baby with someone who doesn’t talk your language, and
together we will make a nation of super chiac babies!” If chiac is still a
vague concept, just think of “franglais.”
Brideau
singled Facebook out for abuse, which led into “Post ta Shit” which describes
how to make it big via social media.
The
meandering jam “Hilaire,” about Brideau’s dad and band namesake highlighted the
banks of keyboards and brought the set to a close. Les Hotesses’ songs lend
themselves to stretching out, with guitar and organ leading the charge, and
their music is best heard and witnessed live. It would be great to see Les
Hotesses d’Hilaire hit Ontario, but they seem to have garnered more interest in
Europe so far. All we need is the right social media maven to steer Ontarians
to this excellent band.
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